Shailene Woodley and Felicity Jones in Netflix’s ‘The Last Letter From Your Lover’: Film Review
Missed connections, imperfect timing, and the courage it takes to choose love make up the bulk of Netflix’s theme. The last letter from your lover. Based on the 2010 novel of the same name by Jojo Moyes, this dreamy and atmospherically exuberant drama follows two women living in different time periods, exercising sexual and romantic agency in societies hell-bent on controlling their desires.
Directed by Augustine Frizzell (Never go back), the film combines the nostalgic aesthetic of a Lana Del Rey music video (think “National Anthem ”) with the emotional intensity of a conventional romantic film such as The notebook. Frizzell and screenwriters Nick Payne and Esta Spalding adhere closely to the rules of the genre: there is no shortage of feverish kisses, passionate confessions followed by heartbreak and scenes of nostalgia amplified by overwhelming orchestral music. The result is a two-timeline love story, endearing and absorbing, but by no means surprising, perfectly suited for a Friday night.
The last letter from your lover
The bottom line
A good romance, suitable for a Friday night.
The Last Letter From Your Lover
In 1965 in London, American-born socialite Jennifer Stirling (Shailene Woodley) returns from the hospital struggling to remember entire parts of her life. The streets of your city feel unfamiliar. Who is the majestic blonde sitting next to him in the car? He says he’s her husband Laurence (Joe Alwyn), but can she be sure? And what about the little older woman at the entrance to her palatial home, dressed in an impeccable blue suit, calling her “ma’am”? You can’t remember why you have a scar on your face or shake off the haunting feeling that everyone is hiding something from you.
In today’s London, Ellie Haworth (Felicity Jones) wakes up in a stranger’s bed after a wild night. When she realizes that the man wants to see her again, Ellie, who has just broken up from an eight-year relationship, runs off and heads to work. She is a newspaper reporter The London Chronicle, and is late.
The fates of the women intersect when Ellie’s next assignment takes her to the newspaper archives, where she finds a collection of love letters addressed to Jennifer by a signer named only Boot, or occasionally B. Delighted by the heartfelt correspondence. , Ellie enlists the help of the newspaper’s archivist, Rory (Nabhaan Rizwan), and sets out on a journey to find more notes and discover the identities of the lovers. Their partnership flourishes in their own love story.
The last letter from your lover it moves seamlessly between its two periods, with Jennifer and Ellie’s stories unfolding at a satisfying rate. Frizzell assembles scenes to create a subtle sense of continuity, showing Ellie exiting an elevator with gold lighting similar to Jennifer’s dining room, or having the two women read the same letters aloud to transition between lines of lines. weather. Working with cinematographer George Steel, the director also manages to give each era a different visual language: Jennifer’s London is marked by a soft focus effect and has a dreamy, almost ethereal quality; Ellie’s London is marked by persistent cloudy skies and the harshness of contemporary life.
In 1965, Jennifer slowly rebuilds her life. She realizes she was in a terrible car accident while on her way to meet her lover, Anthony O’Hare (Callum Turner), a journalist with whom she began an affair six months earlier. The film takes viewers back to those bucolic summer days in France when the couple first met. Anthony, who worked for The London Chronicle (like current Ellie), she had been assigned to write a profile of Laurence, a wealthy industrialist.
The gripping adventure begins like most conventional romances do, with Jennifer and Anthony butting heads before the latter issues a heartfelt apology in letter form. Delighted by her chivalry and bored by her husband’s absence, Jennifer takes Anthony out for lunch, then a picnic, and then for a walk. As the relationship intensifies, Jennifer finds herself caught between staying in a materially comfortable life with Laurence or following her heart and choosing Anthony.
Although Woodley and Turner play lustful lovers quite well, the courtship is hard to believe at times. Part of that has to do with Jennifer’s one-dimensionality; We understand that she feels trapped in a troubled marriage, but it is never clear what precisely draws her to Anthony beyond a basic sense of adventure and attraction. From time to time, the film suggests a depth to their relationship and to Jennifer’s personality, such as when the latter chimes in during a dinner conversation about Congolese politics before Laurence abruptly interrupts her. Most audiences won’t come to this movie because of the depth and complexity of its characters, but it’s hard to shake the feeling that some of the texture on the page has been lost in the transition to the screen. The Last Letter From Your Lover
The same could be said for Ellie’s character, whose own romantic narrative feels thin. In the novel, she is involved with a married man, and her curiosity for letters, and her interest in uncovering the mystery, comes from the way they parallel her own life. There is no such story in the movie; her determination to find and potentially reunite letter writers, based solely on her belief in the power of love, is less exciting.
Yet, The last letter from your lover It’s a nice watch that romance enthusiasts will love. The letters, which Woodley and Jones read via voiceover during the course of the film, are also a lovely touch. In the age of evasive and evasive dating communication, a movie fueled by heartfelt love notes serves as a reminder that sometimes it’s worth risking it all and texting.
The Last Letter From Your Lover